He devised vivid montages for numerous pictures, mainly to get a point across economically or to bridge a time lapse.
Noted directors įilm critic Ezra Goodman discusses the contributions of Slavko Vorkapić, who worked at MGM and was the best-known montage specialist of the 1930s: "Scroll montage" is usually used in online audio-visual works in which sound and the moving image are separated and can exist autonomously: audio in these works is usually streamed on internet radio and video is posted on a separate site. It plays with Italian theatre director Eugenio Barba's "space river" montage in which the spectators' attention is said to " on a tide of actions which their gaze fully encompass". "Scroll montage" is a form of multiple-screen montage developed specifically for the moving image in an internet browser. In a typical railroad montage, the shots include engines racing toward the camera, giant engine wheels moving across the screen, and long trains racing past the camera as destination signs fill the screen. In the first, as in Citizen Kane, there are multiple shots of newspapers being printed (multiple layered shots of papers moving between rollers, papers coming off the end of the press, a pressman looking at a paper) and headlines zooming on to the screen telling whatever needs to be told. Two common montage devices used are newsreels and railroads. Its use survives to this day in the specially created "montage sequences" inserted into Hollywood films to suggest, in a blur of double exposures, the rise to fame of an opera singer or, in brief model shots, the destruction of an airplane, a city or a planet. The word "montage" came to identify.specifically the rapid, shock cutting that Eisenstein employed in his films. Hollywood montage, romantic in the extreme, is written off as a series of wipes, dissolves, flip-flops and superimpostions.” -Film historian Richard Koszarski in Hollywood Directors: 1914-1940 (1976) Eisenstein is seen as intellectual, objectively analytical, and perhaps overly academic.
The Soviet tradition, primarily distinguished by the writing and film work by S. Pendry has garnered great response from the start, showing Montage International’s acumen in delivering luxury offerings in market context."Film historians differentiate two parallel schools of montage, that of the Soviets and that of Hollywood. Recognizing an emerging segment in the luxury market, in 2015 Montage launched Pendry Hotels & Resorts – a new luxury brand that allows for growth while preserving brand integrity. Guests and owners benefit from this discipline each new property will belong to an exclusive collection of hotels and resorts that deliver a consistent, undiluted ultra-luxury experience at the apex of the market. We consider not only how Montage and Pendry are expressed via the guest experience, but also where each hotel is located – and perhaps more importantly, where they are not located.Only a limited number of locations worldwide can support the ultra-luxury positioning and rate required to successfully execute the Montage brand, so we are defined as much by our restraint as we are by our current portfolio. Montage and Pendry present a set of beautifully articulated hotel collections with specific development strategies that strengthen both brands.
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